SKU: 29027835830

1864 ADOLF CHARLEMAGNE 1826-1901 Imperial Academy, antique original oil painting

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Description

1864 ADOLF CHARLEMAGNE 1826-1901 Imperial Academy, antique original oil paintingOriginal 1864 Oil Painting by Adolf Jossifowitsch Charlemagne Russian Imperial Artist Carriage Scene on Metal Up for sale is a very rare and historically significant 19th century original oil painting on metal panel, depicting a charming carriage ride through the countryside. This exceptional work is signed Ad. Charlemagne and dated 1864 in the lower left corner. Adolf Jossifowitsch (Iosifovich) Charlemagne (18261901) a renowned Russian Imperial

🎨 Original 1864 Oil Painting by Adolf Jossifowitsch Charlemagne – Russian Imperial Artist – Carriage Scene on Metal

Up for sale is a very rare and historically significant 19th-century original oil painting on metal panel, depicting a charming carriage ride through the countryside. This exceptional work is signed “Ad. Charlemagne” and dated 1864 in the lower left corner.

Adolf Jossifowitsch (Iosifovich) Charlemagne (1826–1901) -  a renowned Russian Imperial artist, officially titled Artist of His Imperial Majesty Alexander II.

Housed in an ornate antique gold frame, this painting presents a beautifully preserved glimpse into 19th-century Russian aristocratic life and showcases Charlemagne’s fine detail, balance of composition, and expressive brushwork.

🖼 Details:

  • Medium: Oil on metal panel

  • Signature: Signed and dated lower left “Ad. Charlemagne, 1864”

  • Framed Dimensions: 18.5" x 14.5"

  • Painting Dimensions: 14" x 11"

  • Condition: The painting is in good antique condition with gentle signs of age; no major damage observed. Frame has light wear, commensurate with age. Please review all photos as part of the description.

  • Presented in an antique ornate gold frame, this richly detailed painting is a beautiful and rare example of Russian Imperial art in miniature format.

🧾 About the Artist: Adolf Jossifowitsch Charlemagne (1826–1901)


Adolf Jossifowitsch Charlemagne was a celebrated Russian artist, honored with the prestigious title Artist of His Imperial Majesty Alexander II. His works have been featured in the Tretyakov Gallery, and reside in the State Russian Museum, the Pushkin Museum, and other major collections.

Born in St. Petersburg, he was the younger brother of artist Josef Josefovich Charlemagne and came from a noted Franco-Russian artistic lineage. He studied at the Imperial Academy of Arts from 1848, where he trained under Feodor Bruni (historical painting) and Bogdan Villevalde (battle painting). During his studies, he was awarded several silver and gold medals.

In 1855, Charlemagne received a prestigious travel stipend and studied in Munich with battle painter Alexander Kotzebue, then in Paris, before returning to Russia in 1861. He was named Academician for his series on General Suvorov and later painted a famous image of Catherine the Great in Falconet’s workshop—acquired by Empress Maria Alexandrovna, earning him the title of Professor in 1867.

From the 1870s, he also designed official securities and bonds for the Imperial government and created many widely published historical illustrations. His artistic career reflects both imperial prestige and public influence, and his surviving works are rare collector’s items.

Academic Background

  • Educated at the Imperial Academy of Arts, where he studied historical painting with Fyodor Bruni and battle scenes with Bogdan Willewalde.

  • During his studies, he earned multiple silver and gold medals for artistic excellence.

European Studies & Career

  • In 1855, Charlemagne was awarded a travel stipend and continued his training in Munich under Alexander Kotzebue (renowned for battle painting).

  • He later studied historical canvases at Versailles in Paris, honing his classical and narrative style.

Professorship & Official Commissions

  • Returned to Russia in 1861, where he painted for the Page Corps and created ceiling murals for aristocratic estates.

  • In 1867, his painting of Catherine the Great with Falconet was acquired by Empress Maria Alexandrovna, earning him the title Professor.

Illustration & Graphic Design

  • From 1871, Charlemagne designed imperial securities, bonds, and other official state documents—merging fine art with early graphic design.

Museum Collections

  • Today, Charlemagne’s work is housed in several prestigious institutions, including:

    • The Tretyakov Gallery

    • The State Russian Museum

    • The Pushkin Museum of Fine Arts

    • Numerous private collections of 19th-century Russian Imperial art

  • 📦 Free Insured Shipping from FloridaProfessionally packed and shipped with care. Additional photos available upon request.
  • 📌 Please note:
    Actual colors may vary slightly due to lighting and screen settings. We sell antique items which may show signs of age—please review all photos carefully and reach out with any questions before purchase.

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Exchange/Return Notes
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  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 29027835830

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Alexandria, US
★★★★★ 1
Simplistic and Inappropriate
Format: Paperback
I was hoping this book would provide insights into how to present complex information in a more comprehensible, useful format, using PowerPoint as the tool. Instead, the overall gist of this book is that presentations should be "dumbed down" as much as possible. The theme the author presents is that presentations should be story based. This is reasonable. However, the method the author recommends is that essentially *all* meaningful, complex (or, as the author prefers "boring") content be removed from the presentation. Presentations then become nothing more than catchy headlines and colorful graphics. All content should be in the presenter's notes (not typically to be provided). This is juvenile and useless and frankly reflects a complete lack of understanding of how presentations are made in a complex business environment.
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Reviewed in the United States on March 14, 2007
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SteelBlue
Chelsea, US
★★★★★ 3
On the right track
Format: Paperback
This book is a good introduction about how to use story-telling techniques in PowerPoint presentations. There are some good ideas here that you won't find in technical manuals. If you don't know film techniques these will be eye-opening. But the book could have been much stronger if it were to push these concepts to the next level. I saw a PowerPoint presentation with Andy Goodman, who teaches more or less the same thing, and his presentation nailed these concepts more cleanly than this book does. But again, this book is definitely worth checking out if you haven't studied storytelling before.
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Reviewed in the United States on December 2, 2005
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An oldd Clancy fan
Carnegie, US
★★★★★ 2
Make sure you buy the 2007 edition!!!!
Format: Paperback
I bought the book, enjoyed it and then realized that I hasd purchased the 2005 edfition and not the new 2007 edition. be careful as the new one is much better. Amazon should have made this clear!!!!!!!!!!!!
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Reviewed in the United States on December 8, 2007
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Wade Armstrong
Fort Morgan, US
★★★★★ 5
An Essential
Format: Paperback
I've created PowerPoints for executives in major corporations and national non-profits for years now, and this is one of the first books I suggest anyone who needs to create their own PowerPoint look to. Beyond Bullet points is accessable enough that the novice PowerPoint user can understand what's going on and use the lessons in his or her next presentation; it's also detailed and challenging enough that even an old salt like me can find things to learn and do. Don't be another person who stands on stage reading their PowerPoint, and don't let reading your slides distract the audience from your presentation; follow the suggestions in this book and wow your audience.
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Reviewed in the United States on January 3, 2007
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Christopher Bell
Carnegie, US
★★★★★ 5
Essential reading for PowerPoint presenters.
Format: Paperback, Format: Paperback
Cliff shows details how to improve our PowerPoint presentations. He gives concrete and simple steps to transform a message into a targeted presentation. All of us have suffered from presenters who went over their allotted time because they had vital information to give us, yet we still didn't know their main point. Many have seen slide decks burdened with dozens of bullet points. Did the volume of points yield more clarity or did they dull our ability to focus on the message? Probably not. Read Cliff's book. Follow his method and you'll be a more effective presenter.
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Reviewed in the United States on October 17, 2011

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